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“Like most who are ahead of their time, she was a victim of the present.” Broken Wings explores societal expectations in 19th century Beirut.
The toilet at the Live Art Development Agency is out of order. Door ajar, a confrontation is happening. Between the artist and reflection.
Manifesta 12 assigned itself the mission to leave Palermo a better city, and to empower its people.
Manifesta 12 wants to shift perspectives, in order to imagine and promote caring for the world through collaboration, the second tier of its title, “Cultivating Coexistence”.
The door is slammed shut. We are trapped in a dark, smoky room with four figures – theatre stewards who are playing prison guards – standing before us.
Rotimi Babatunde’s adaptation of Lola Shoneyin’s prize-winning novel is alive with desire: visceral, physical, blinding desire.
Nina Raine’s play – about lawyers and their private lives – has just transferred from the National Theatre to the West End under the direction of Roger Michell.
Isabelle Dupuy on a special edition of the Radio 4’s The Listening Project, part of a month of performances to celebrate the centenary of women’s suffrage.
Why would men not try to understand what women want? That is the question Ella Hickson sets out to answer in her latest play The Writer.