Litro #170: Editor’s Letter

Litro #170: Editor’s Letter

This issue’s theme, “The Back of the Bus”, though fairly open to interpretation – the back of the bus might be where the cool kids sit on the way to school – inevitably calls to mind the American civil rights movement’s struggle against the injustices of racial segregation and one woman’s action to insist on a basic human right. It was only sixty-three years ago, on 1 December 1955, that Rosa Parks made history in Montgomery, Alabama by refusing to give up her seat for a white man and go sit in the segregated area of a bus. This act of defiance would change the course of American history and earn her the title “mother of the civil rights movement”.

 

Rosa Parks’ refusal led to her arrest, which triggered a 381-day boycott of the bus system, organised by a then little-known Baptist minister, the Rev. Martin Luther King Jr., who would later go on to receive the Nobel Peace Prize for his civil-rights work. The Montgomery bus boycott marked the start of the modern civil rights movement in the United States. The movement would result in the 1964 federal Civil Rights Act, which banned racial discrimination in public accommodations.

But within this month’s pages of Litro we have a bit of a mix: stories and essays more directly engaged with race and politics rub shoulders with stuff a bit more oddball. On the one hand, Kate LaDew’s “Jo Ann Robinson” is a creative nonfiction about the life and work of another great civil-rights activist; Paola Trimarco’s essay “The Broadway 36” remembers 1970s bus rides through what King had called “the most segregated city in America”; Rebecca Ruth Gould’s essay “Jim Crow in Jerusalem” explores parallels between racial segregation in modern-day occupied Palestine and Israel and in Jim Crow America; and LaMarr Thomas’s short story “A Harsh Spring Light” is about the pain and humiliation a black high-school senior is made to feel during history lessons about America’s greatest sin. All these explicitly political pieces sit in comfortable contrast alongside stranger stories like Jonathan Covert’s “We Pick Karen”, an unusual take on office politics, envy and competition, or Steuart Osha’s “Don’t Google Me”, in which a fifty-one-year-old woman comes unexpectedly into her heyday. Chris Di Placito’s “Animal Kingdom” follows a guy just released from prison on his bus journey back into freedom – or is it freedom? – and Han Smith’s elliptical “Reproduction Furniture” explores the aftermath of a horrible but everyday encounter on a bus. In a story set in Nigeria, “The Fulani Damsel”, by Jeff Unaegbu, the narrator impulsively jumps off the bus and into another culture, to be entranced by it; and, returning to the theme we started at, in an exclusive extract from Michael Nath’s forthcoming novel The Treatment, about a fictionalised version of the Stephen Lawrence murder, a woman police officer goes undercover in a gang of racists.

And for another culture and perspective, our cover and photo series this month is “Life in Kashmir from a bus stop”, by Lauren Stewart.

Eric Akoto is Publisher and Editor in Chief of Litro Magazine. His passions lie in progressive politics, freedom of expression, quality & independence in arts and journalism, social enterprise, secularism, good technology, and above all the power of fiction to connect and bring a level of empathy to different peoples. With a journalistic background his writing has featured in various magazines, and contributed to various books he also curates and comperes at festivals such as The Latitude Festival and the Hay Festival. The first thing he does when visiting a city is to don a pair of trainers and go for a jog around the city. He highly recommends a morning meditation to start your day.

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