Tag Archive | "gangs"

Litro no.96 – From the Editor

litro cover 96

Cover artwork by Gillian Ayres (June 2010), High Summer World of Light, 2009, oil on canvas, 198.5 x 275cm, Courtesy Alan Cristea Gallery.

Ayres was shortlisted for the Turner Prize in 1989. She was appointed Officer of the Order of the British Empire (OBE) in 1986, and in 1991 became a Royal Academician. She was appointed Commander of the Order of the British Empire (CBE) in the 2011 Birthday Honours. Ayres is represented by Alan Cristea Gallery, www.alancristea.com

 

Nobody wants to be alone: everybody wants to belong. Sociability is part of what makes humans such a successful species, but it’s when groups become gangs that the fun stops and the trouble starts …

You’ll find plenty of gangs in the following pages: some you’ll want to join, some you’d run a mile from – and maybe even some to which you already belong. In this month’s issue of Litro we’re going to intrigue, move and unnerve you with tales of chain gangs and girl gangs, school gangs and old-fashioned gangsters; gangs that protect and those that destroy. From the mob instincts of the lads on the lash in Yorgos Trillidis’s Sunday, to the swashbuckling adventures of a pirate crew in Michael Spring’s brilliantly surreal Narky Jack, we’ve got gangs in all their glamour and glory.

Sara Maitland’s atmospheric jungle-set Watu explores the power and vulnerability of being an outsider in a tribal society, whereas David Mildon’s Red gives us a glimpse of tribes closer to home, when football fans clash. Meanwhile, Tessa North brings us the Deep South, and a prisoner desperate to shed his chains, while Melissa Katsoulis’s true account of a daring literary hoax shows just how far one middle-class white girl went to feel part of the gang.

But believe it or not, that’s not all – not by a long shot. We’ve also got a brand-new, prize-winning translation of a Verlaine poem about a gang of harlequins and pierrots, a mobster hoist by his own car-yard, and a shoot-out in a cinema.

So, it’s up to you. Do you wanna be in our gang? Just turn the page.

Katy Darby

Editor

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Sunday by Yorgias Trillidis

Who says London has a monopoly on mindless violence? A kebab-shop brawl in a small University town has tragic and ironic consequences in Yorgos Trillidis’s cautionary tale. Saturday night’s all right for fighting, but at three in the morning on Sunday, it can all go horribly wrong …

Sunday

Yorgos Trillidis

It’s three o’clock in the morning and I have just left the club on Prince of Wales. I am crossing the street heading to the nearest kebab house. I am not drunk though I have drunk. I enter. Three sweaty, dark-skinned men are watching closely a sizeable piece of lamb rolling on a steel plate. I place my order, pay in advance and head out for a quick cigarette. I take a stand just outside.

I stare at the people who have just exited the nightclubs. It’s closing time, yet the street seems less busy than usual. Maybe because it’s August and the students have gone back to their homes; maybe because most of the locals are getting a tan somewhere in the Mediterranean. I take long drags and can’t wait to replace the butt with some meat. Then I see them on the other side of the road, ready to cross the street.

It’s a group of five. They wear stretched t-shirts, baggy jeans and white sneakers. They look particularly drunk – but again, who doesn’t? They are coming towards me. It’s a popular fast-food joint, I say to myself, no need to worry. They are talking loudly and they spit out the vowels and the consonants with casual violence.

I look the other way. What I see is the future coming swiftly towards me, aiming at me. The future enters through my nostrils, rides the appropriate neurons and gets carried all the way to my brain.

They are going to come near me. One of them will ask me something I will not be in a position to grasp. I will shake my head. Another one will feel obliged to rephrase it. Although I will understand, more or less, what they want from me, I will refuse politely. Then the one who was the first to talk will start cursing. I will repeat as clearly as possible that it’s my last one. Then a third one will try to get it out of my fingers. I will let him. They will start laughing and cursing me with words I will not fully comprehend. After that I will say something stupid, something like ‘you must think it’s quite a brave thing to do, five picking on one’, or something equally stupid – the precise phrasing has not yet been formulated.

It’s then that they will assault me. They will not stop kicking and punching even after I hit the ground. At some point one of the two guys who’d remained silent will pull out a knife. None of the bystanders will interfere, though I will hear someone calling for the police.

In the ambulance I will see a blue light and a void will suck me in. The doctor at the hospital will simply announce the time. The following day the coroner will perform the autopsy. Among other things he will discover some lumps in my lungs. Although he is sure of what he has found he will give a sample for biopsy. The results will be ready in three days.

Meanwhile, a police officer will make an international call. It will be rather short because he hasn’t taken into consideration the fact that my mother does not speak English. Later on that day, a member both of the thriving Hellenic community and of the Norfolk Police Force will redial the same telephone number.

When the results are out the doctor will not see his jaw dropping. It was an aggressive form of cancer that would have had me dead in six to nine months. He will then debate whether he should inform my family about his findings. He will discuss the issue with some colleagues of his and with his wife. Words like ‘ethics’ and ‘purpose’ and ‘irrelevant’ will be heard in the several exchanges. After a sleepless night he will decide not to reveal anything although he will not be in a position to explain why, exactly.

Back home my mother will spend the rest of her life on a rocking chair going back and forth all the time, a habit that will not be disrupted even when the phone will ring and a voice on the other end of the line will inform her, in broken Greek, that all five men have been identified and two of them have already confessed.

Yorgos Trillidis was born in Cyprus in 1976. He studied Law in Athens, International Politics in Edinburgh and Creative Writing in Norwich. He was a writer in Residence at the International Writing Program in Iowa in 2008. He has authored two short collections in Greek. He lives in Nicosia.

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Online Exclusive: Man Said by Helen Silverstein

Man Said

Helen Silverstein

Man said, girl done got herself knocked up.

Woman said, Ima help her mama kill the man done this.

Man said, could see this one comin’ mile way.  Girl actin’ like a slut.

Woman said, girl ain’t nothing but a child. What kinda man touch a child like that?

Man said, her mama shoulda teach her better, watch her better.

Woman said, hmph.

Man said, any fool see she gonna be trouble, struttin’ her stuff around the wrong men.

Woman said, in trouble now, for sure. Gonna be trouble too. Ima see to that.

Man said, girl try to blame her daddy.

Woman said, Ima help her kill that bastard, if he done it.

Man said, you crazy.

Woman said, could be.

Man said, what her daddy want to fool with that girl with his fine lookin’ wife round?

Woman said, don’t matter what his wife look like.

Man said, then girl try to say she a virgin. Say Heavenly Father did this to her.

Woman said, Ima help her mama kill the man done this to her.

Man said, not if she got God’s baby in there, you’re not.

Woman said, all babies God’s children.

Man said, this one could be special. Girl with God’s Child.

Woman said, I already done way with God foolin’ with girls. Got me righteous Goddess comin’ after man touched that girl.

Man said, you fool, God ain’t no woman.

Woman said, God ain’t no daddy foolin’ with his child.

Man said, you crazy.

Woman said, you worse.

Man say, you no match for the man done this to her.

Woman say, hmph.

Man said, whatcha gonna do? Get yourself a gang of women? An army?

I might.

You fool.

You worse.

Helen Silverstein weaves her experience as a therapist together with her work with low-income families to create stories that take an authentic look at family relationships and societal hardships. Helen is managing editor of Southern Women’s Review. Her website is www.helensilverstein.net

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Narky Jack by Michael Spring

This scurvy crew aren’t your average pirates: they stand in line at the dry-cleaners for a start. But when they come ashore in a small coastal town and start leading the children astray, upstanding citizens don’t know what to do. The main problem is the pirates’ charismatic captain, Narky Jack, who’s won the heart of the town’s good-time girl and doesn’t look like he’ll ever leave …

Narky Jack

Michael Spring

Illustration: Louie Stowell

Illustration: Louie Stowell

The pirates are inconveniently situated for the harbour, and this spring, they have begun to let everyone know. The situation, when the wind from the mountains sweeps the scent of pines over their cabins, gets worse day by day. The pirates are restless. They need the salt tang of the sea.

No one is sure what to do. Their swaggering is unnerving. The bars and supermarkets run out of rum.

They spit at the feet of the townsfolk, most of whom are upstanding individuals, apart, that is, from Tess, the beautiful, dark-haired prostitute who has a flat above the dry-cleaners with en-suite facilities.

The pirates, with their lack of sea-faring adventure, seem to have an unnatural quotient in terms of desire.

Tess’s business is booming and she thinks she might have to bring in help. There is talk of her taking over the lease of the dry-cleaning shop below. Ron, the owner of the dry-cleaners, is doing well too. The pirates, when visiting Tess, find it convenient to drop off their silken ruffs, nankeen trews and waistcoats heavy with embroidery to Ron. For payment of a substantial premium, Ron agrees to rush the cleaning through, ready to collect when they leave. Heaven forfend though, that he should scratch a silver button or pull a silken thread.

Tess is sporting more jewellery these days. She has very full breasts and the low-cut gypsy tops she wears reveal much. Pearls, the size of plovers’ eggs, nestle snugly in her décolletage. She has a jewel in her navel the size of a musket ball. It sparkles when she laughs, and the soft brown skin of her belly ripples like the surface of a tropical inlet when a silent zephyr rustles the beachside palms. There is a heavy gold chain with what looks like a regal crest around one of her shapely ankles. Her long dark hair hangs in unrestrained, glistening ringlets, cascading over her shoulders like a bolt of silk. It is a dark, flowing mass. It is like sin.

Someone suggests that she might be prosecuted. What for, someone else asks, for having too good a time?

The children of the town have taken to spitting and, in imitation of the pirates, they swagger and refuse to drink anything but rum, mixed with a little Coke, it is true, but rum nevertheless. They slap their thighs and guffaw when asked for homework assignments or to help with the washing up.

The local paper, the Argus, rails at the uncontrollable children. It blames the parents, but its anger is driven by a lack of advertising revenue. Both Tess and Ron have withdrawn their 15 centimetre double column spaces and the stores have stopped advertising their summer specials owing to the increased demand.

The town council meets and it is suggested that they send for Eric Bumppo, a noted gunslinger who has cleaned up more than one Western town. When Eric’s letter arrives though, they find that his terms are outrageous. He charges per bullet used as well as a retainer and an hourly rate. He has to have an indemnity against possible prosecution under health and safety legislation.

Tess and the pirate captain, Narky Jack, are often to be seen together in profile, at night, at her window, behind the flimsy blinds and illuminated by the flickering scented candles with which Tess lights her room. A crowd gathers outside the dry-cleaners on most evenings. They gasp when Narky Jack whips away her stays with a single stroke of his scimitar. Tess can be heard to sigh. It is a sigh that encompasses the history of the world. She sinks into his arms. The expectant crowd applauds soberly.

Narky Jack finds unsigned notes from the townsfolk enticing him and his crew to sea once more. They tell him of unarmed merchantmen carrying scrip, banknotes and bullion. They advise him that tankers full of crude are cruising less than a mile offshore. They offer handsome terms should said vessel be surrendered up the coast where storage facilities are available. The letters give him notice of fast cutters carrying the source code of certain market-leading software products, which would be worth a king’s ransom in the Far East.

Nothing moves him until, in June, he receives a note which says that the Daughters of Albion are on their summer cruise, and gives a map reference where they can be found on the following Wednesday. The Daughters of Albion are young ladies from a college renowned for their skills in science. They are young, pure and dedicated to the advancement of knowledge.

Soon, the pirates are gathered. Buckles are polished. Blue, pink and purple frock coats emerge, still in plastic from the dry-cleaners, from mahogany wardrobes in the cabins where they are housed. Wooden legs are lacquered and screwed back into place. Parrots are brushed. The pirates grease their pistols and the ends of their moustachios. No one eats garlic, or the cheeses mellowed from ewes’ milk. They wash.

The pirate vessel, the Flying Falcon, leaves harbour with all sail raised, gun ports open. Narky Jack waves a cursory farewell to Tess with his tricorn hat, but they both know that whatever it was they had together is over.

Things gradually return to normal. The children no longer take rum in their Coke and get moaned at from here to breakfast time. Tess gets used to entertaining the town councillors and tradesmen once more, even though their ways are quieter, and more restrained. Faking orgasms again becomes second nature to her. No longer is there talk of her hiring a girl to assist with the oral work. Ron’s dry-cleaning business carries on, unhindered by plaster shaking from the ceiling as it used to when Tess entertained Narky Jack.

As for Narky Jack, he and his colleagues have retired to a large house in the Indies with the young ladies, where, reputedly, they have taken up golf. The Flying Falcon has been scuppered somewhere offshore, a playground for fish.

Michael Spring was educated at Queens University in Belfast , Northern Ireland , but lives and works in London now, where he helps to run a small design and marketing company. He has had work published in small press titles in the UK, Ireland, the US and Canada and Volume magazine is going to print the first chapter of his unpublished novel (Northern Soul) later in the year.

Illustration by Louie Stowell: http://loustow.wordpress.com/

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