Tag Archive | "flash fiction"

Litro and ArtBelow previous story poster collaboration at Angel Tube Station

Spring into creativity: Litro teams up with ArtBelow

Litro and ArtBelow

Litro and ArtBelow's previous story poster collaboration at Angel Tube station

Spring is finally just around the corner and to celebrate, we’re encouraging you to shake off those winter blues and be creative. We have teamed up with ArtBelow to bring you two fantastic March competitions -for both writers and artists!

Litro 100 cover art, by Stephen Farthing.

For Writers

Pen a piece of flash fiction telling us about your experiences on ‘The Underground or Metro’ which is no more than 200 words in length. The winner will see their work displayed in a London Underground station. Or…

…Become a Litro Artist

Are you an artist? Submit your art into us and win the chance to see your work on the cover of the April issue of Litro.

Past cover artists have included:

Royal Academy Fellow Stephen Farthing; acclaimed painter Gillian Ayres; Maaike Schoorel (Mauren Paley Gallery) and Khosrow Hassazadeh (Scream Gallery, London).
To enter, please submit your flash fiction, painting or photograph by yourself to competition@litro.co.uk by the 7th March. For artists, the issue theme is ‘Science’, so do let that be your inspiration!
Please send all submitted artwork with the following specs:
105mm (wide) x 210mm (tall) with a 3mm bleed, preferrably with a 3mm border area free of type. Files  can be in JPEG and PDF format, or CYMK format.

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Abduction, Again by Janis Butler Holm

Abduction, Again

Janis Butler Holm

In the beginning, we soared. We knew the crackle of constellations, the heat of worlds unborn. Our coupling was cosmic. He said it was in the stars.

Delicately, he probed me, mound and crevice, plane and orb. He showed me his craft.

When the nights grew cooler, I should have returned to earth. But he promised me the moon. I floated on a cloud.

Now he’s light-years away. No longer the chosen one, I wonder where I’ve been. Here, in the dark, he said he needed space.

Janis Butler Holm lives in Athens, Ohio, where she has served as Associate Editor for Wide Angle, the film journal. Her essays, stories, poems, and performance pieces have appeared in small-press, national, and international magazines. Her plays have been produced in the U.S., Canada and England.

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Litro no.96 – From the Editor

litro cover 96

Cover artwork by Gillian Ayres (June 2010), High Summer World of Light, 2009, oil on canvas, 198.5 x 275cm, Courtesy Alan Cristea Gallery.

Ayres was shortlisted for the Turner Prize in 1989. She was appointed Officer of the Order of the British Empire (OBE) in 1986, and in 1991 became a Royal Academician. She was appointed Commander of the Order of the British Empire (CBE) in the 2011 Birthday Honours. Ayres is represented by Alan Cristea Gallery, www.alancristea.com

 

Nobody wants to be alone: everybody wants to belong. Sociability is part of what makes humans such a successful species, but it’s when groups become gangs that the fun stops and the trouble starts …

You’ll find plenty of gangs in the following pages: some you’ll want to join, some you’d run a mile from – and maybe even some to which you already belong. In this month’s issue of Litro we’re going to intrigue, move and unnerve you with tales of chain gangs and girl gangs, school gangs and old-fashioned gangsters; gangs that protect and those that destroy. From the mob instincts of the lads on the lash in Yorgos Trillidis’s Sunday, to the swashbuckling adventures of a pirate crew in Michael Spring’s brilliantly surreal Narky Jack, we’ve got gangs in all their glamour and glory.

Sara Maitland’s atmospheric jungle-set Watu explores the power and vulnerability of being an outsider in a tribal society, whereas David Mildon’s Red gives us a glimpse of tribes closer to home, when football fans clash. Meanwhile, Tessa North brings us the Deep South, and a prisoner desperate to shed his chains, while Melissa Katsoulis’s true account of a daring literary hoax shows just how far one middle-class white girl went to feel part of the gang.

But believe it or not, that’s not all – not by a long shot. We’ve also got a brand-new, prize-winning translation of a Verlaine poem about a gang of harlequins and pierrots, a mobster hoist by his own car-yard, and a shoot-out in a cinema.

So, it’s up to you. Do you wanna be in our gang? Just turn the page.

Katy Darby

Editor

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Out of Darkness by Cherry Potts

Out of Darkness

Cherry Potts

Out of darkness, a flash and then the retort.  The twenty-foot high images behind me loom incoherently – I can’t hear them, what they saying? My ears ring with the crash of the concussion.  Everything slows, the guy beside me, who’d been mouthing off, on his feet, gun waved, arm extended, him, Gary – I heard his girl call him that, yes, Gary – he falls back, arms spread, his white t-shirt fluorescing in the light of Gotham City.

Blood:

Black in the half-light, splatters in an arc across the row in front, not me, thank god, not me: no bullet, no spilt brains.

The popcorn spills from the bucket in his left hand.

His girl screams, an ugly guttural noise like she might throw up. Not like the heroine on the screen.

Gary falls and time speeds up, the dead weight of fourteen stone crashes into the plush upright of the seats behind him, his skull bounces on the edge, silently; I stare open-mouthed, and automatically supply the bonk in my mind.  The gun falls from his hand, skitters under the seats.

I look at Jeannie, who is thinking about screaming, she hasn’t decided whether that’s appropriate yet, but she is certainly thinking about it, her mouth experiments with an ‘O’ shape … too prissy; then a gaping letter box – no, a recycling station.  I expect a deep noise from that gaping square of darkness, but she is as high pitched as a kettle.

I begin to laugh, an equally high-pitched giggle.

No, no, I say to myself, this ain’t no thing to laugh at…

The fool in the projection box hasn’t shut off the movie, but the lights go up.

Gary is lying across my lap.  The giggles turn to gasps.

This ain’t funny man, this ain’t entertainment, knowwhatImean?

But I keep laughing; like the Joker – that’s it – there he is, on the screen, laughing himself sick.

Oh God I’m going to throw up.

Hey Gary, I say, inside my head, desperate not to barf, was it worth it man, to get a $4 bucket of popcorn you ain’t never gonna to eat?

How’ll I ever watch Batman without this … smell … in my nostrils – this burnt smell, and this raw meat smell, and the weight of your broken skull across my knees?

What you have to spoil my night for, huh?  You think Jeannie gonna give out now? I don’t think so man, you dumb-ass … if you gonna pack heat, be ready to use it, knowwhatImean? Jeez, that guy – one mean shot … I was in the queue behind you, Gary, I heard him tell you – he wasn’t even carrying, not then, left his piece in his car – peaceable, man.  Not like you, mouthing off, waving your weapon like it was a pissing contest.

Now I got your brains on my jeans. Jeez, man, don’t you think about consequences before you open your goddam mouth?  I don’t think so. You ruined my night out – there’ll be cops now, askin’ what I saw, what I heard … small is what I saw, what I heard … small man talkin’ too big.  Man, I heard brainless … ah man, brainless … I gotta stop this laughing, my face is starting to hurt … this is your fault, Gary, you gotta shut your mouth, you dumb-ass … corpse, you.

Cherry Potts is the author of two published collections of short stories, “Mosaic of Air” and “Tales Told Before Cockcrow: fairy tales for adults”, and a very short story was recently included in the Leaf Books collection “From the Left.”  She has recently finished a Vast Lesbian Fantasy Epic which is doing the rounds of publishers but she also works as a life coach, business mentor and trainer, mainly with charities and their clients, and with writers. She lives in South East London with her life partner and two very spoilt cats, and sings with local community choirs for fun.

Posted in Issue 96Comments (0)

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