Member Login


Remember me ( Forgot your password? )
Not a member yet? Join us today!
  • The Magazine
  • Fiction
  • True Tales
  • On Writing
    • A Guide to Flash Fiction
  • Book Club
  • Literature
  • Arts & Culture
  • Interviews
  • Litro TV
  • About
Trending:   #Poland   #Germany   #Swear Down   #In The Bedroom   #St Pancras Take-over   #2013 Young Writers’ Prize  
Literature
June 1, 2012

Lit Recipe: Lord of the Flies Pig’s Head Terrine

By Cara Nicoletti
Cara Nicoletti   edible literature   Lord of the Flies   pig's head   recipes   terrine   William Golding

A movie still from “Lord of the Flies”

When I was very young, probably seven, the 1963 version of Lord of the Flies was being played on television one night. It was Christmastime and I was next to my mom and dad on the couch when my dad, flipping through the channels, stumbled across it and stopped. For the next three hours I sat still as stone, horrified, terrified by what I was watching, but too shy to tell my parents. Laying in bed that night trying to sleep, the image of the fly-covered pig’s head, a stake stuck right into its neck, kept going through my mind.

It’s not as though I had never seen a pig’s head before. My grandfather, and his father before him, owned and ran a butcher’s shop in Boston. I grew up surrounded and un-phased by meat and offal and blood, but there was something about this pig’s head that really disturbed me. That night, and for several nights following it, I slept on the floor of my parents’ bedroom.

A movie still from “Lord of the Flies”

Years later, I was assigned the novel in my eighth grade English class and was shaken up all over again by Golding’s account of a group of young English boys, between the ages of six and twelve, stranded on an uninhabited island after a plane wreck. At first, the boys adhere to the laws of social order they have been raised with — calling meetings, electing leaders, dividing labor – but as the novel progresses, this order quickly crumbles and the reader watches as “the world, that understandable and lawful world… [slips] away.”

When the boys first land on the island, their civilized English manners and habits are still deeply ingrained within them. Faced with the prospect of having to kill a pig because the boys are all hungry, Jack is unable to follow through “because of the enormity of the knife descending and cutting into living flesh; because of the unbearable blood”. Only two chapters later, however, Jack slits a pig’s throat and comes back to the camp proud with the “knowledge that they had outwitted a living thing, imposed their will upon it, taken away its life like a long satisfying drink”. In showing us how quickly this group plunges into chaos, Golding challenges the notion that humans are inherently civilized.

When the “littluns” start to worry that there is a beast lurking around the island panic spreads throughout the camp and Jack decides to take the head from the pig they killed and present it as an offering to appease the beast. The pig’s head, which they call the “Lord of the Flies” comes to represent chaos and disorder, savagery and the instinctual brutality of human nature. The image is so powerful, both in film and in writing, that even now, having de-faced countless pig’s heads in various restaurants, I still think about Lord of the Flies every single time I do it.

Pig’s head – © Cara Nicoletti

The truth is, pigs’ heads are absolutely delicious if you are willing to take the time to prepare them the right way. It seems intimidating but it’s much easier than you would expect. Most local butcher shops will have pig heads and if they don’t have one on hand I’m sure they will be happy to special-order one. For my pig’s head I went over to The Meat Hook, where I’ve been apprenticing off and on since the winter of 2010. If you live in Brooklyn or near Brooklyn, or if you’re visiting Brooklyn, come here. There are no better butcher shops or butchers out there (don’t worry, papa – this wouldn’t be the case if Salett’s was still open).

Lord of the Flies Pig’s Head Terrine

Ingredients:

  • 1 pig’s head
  • 1 bottle of dry white wine
  • 3 large shallots
  • 1 large head of garlic
  • a handful of black peppercorns
  • 1 bunch fresh thyme
  • 1 bunch fresh tarragon
  • 2 bay leaves
  • 1 tablespoon smooth dijon mustard
  • 2 tablespoons champagne vinegar
  • 1 bunch fresh parsley
  • 1 bunch fresh chives
  • 1 bunch fresh chervil

Directions:

The beast clogged more razors than me and my sister combined – © Cara Nicoletti

1. First, make sure you have a very very sharp knife and a steel to sharpen it throughout the de-facing process. Rinse any noticeably dirty spots of off your pig’s head under the faucet, then get a disposable razor (or a couple depending on how hairy your pig’s head still is) and shave off any excessive hair–some heads come with barely any hair, some come with more.

2. Then cut off the pig’s ears and set them aside. Next remove the snout by cutting around the base of the nose and sliding your knife along the bone underneath.

To the left is meat; to the right, where my fingers are pointing, is the layer of glands – © Cara Nicoletti

3. Now, take a look at your pig’s head from the back, where the head would have connected to the neck. You will see lots of dark knotty glands. Remove and discard all the glands you see. If you see some glands that look light pinkish in color and are soft and smooth save these–these are the sweetbreads. (This head didn’t have any sweetbreads on it otherwise I would have taken some pictures for you.) Once the obvious glands and sweetbreads are removed fold the jowls out and use your finger to feel where the jaw and cheek bones start.

4. Once you locate the cheek bone set your knife against it and run your knife along it, keeping it flush against the bone to remove as much meat as possible. Keep pulling with your free hand to create tension so that the jowl pulls away from the bone more easily. Continue with this process, following the bone until half of the face is pulled away. Slice the one half off and set it aside, then repeat this process with the opposite side of the face.

5. Reach your hand inside of the mouth and push the tongue backwards, you will see it start coming out of the back of the neck. Cut it loose and set it aside.

6. Now take your two pieces of face meat and start cleaning it up. Clean off any gristly bits and glands. There will be a layer of lightly colored glands along the jowl, you can tell these are glands because they are bubbly while the meat is smooth and streaky.

How it looks before going into the oven – © Cara Nicoletti

7. Set your oven to 275 degrees fahrenheit. Go back over the skull with your knife to clean off any bits of meat you might have missed. Place all of your cleaned meat, tongue and ears into a deep roasting pan. Pour the bottle of white wine over your meat and cover the rest of it with water. Quarter your head of garlic and all of your shallots and toss them in with the peppercorns, bay leaves, thyme and tarragon. Cover pan in foil and put in the oven at  275 for 3.5 to 4 hours.

Picked meat in a bowl – © Cara Nicoletti

8. Once the meat is cooked remove it from the oven and strain off the liquid into a medium saucepan. Allow the meat to sit until it is cool enough to touch. Over medium heat reduce the liquid to a little less than half and set aside. Using your fingers to distinguish between the meat and the fat and skin, pick out all of the meat and place it in a bowl. Cut the ears, snout and tongue into thin strips (peel the membrane off of the tongue first) and toss in with the meat.

9. Chop up your chervil, chives and parsley and mix them in with your meat. Add dijon and vinegar and mix until incorporated. Line any vessel of your choosing with a double layer of plastic wrap and lay the meat out evenly on the bottom. Pour the reduced liquid on top of the meat, cover in plastic and allow to set in the fridge for at least six hours.

The terrine – © Cara Nicoletti

I chose to pack the meat into a loaf pan so that I could slice and serve it as a head cheese, but some people like to spread it out in a thin layer so they can cut circles out of it, egg wash it, bread it and fry it. You can serve it over dressed greens, or with grainy mustard, or pickled onions, or slice it paper thin and put it on a sandwich with all of those things.

Republished from Yummy Books. Our other favourite picks: the Lane Cake from To Kill A Mockingbird, the East of Eden Strawberry Latice Pie, and the Cherry Pistachio Baked Alaska from The Hunger Games.

Have your own recipe inspired by literature? Email emily@litro.co.uk and we may publish it on Litro.

Cara Nicoletti

Cara Nicoletti

Cara Nicoletti is a pastry chef and butcher living in Brooklyn, New York. She graduated from New York University in 2008 with a degree in English Literature and Latin and currently works at as a butcher at The Meat Hook in Williamsburg, Brooklyn. In her free time she creates literary recipes on her website yummy-books.com.

  • Web
  • |
  • More Posts (1)
Prev
Nonfiction: Alain de Botton on Work
Next
Martin Amis defends his new novel, Lionel Asbo: State of England.

Post a Comment Click here to cancel reply

No Comments Yet


Related Posts

  • Comics Get TechnicalComics Get Technical
  • Considering the Genius of BurgessConsidering the Genius of Burgess
  • Warming the Literary Hearts of ‘Auld Reekie’ at The West Port Book FestivalWarming the Literary Hearts of ‘Auld Reekie’ at The West Port Book Festival
 
Tweets by @LitroMagazine

The Litro Blog

( View Archive )
  • June 3, 2013
    Submissions Open for IGGY & Litro Young Writers’ Prize 2013
    By Litro

    Submissions are now open for the 2013 IGGY & Litro Young Writers’ Prize, a joint competition run by Litro Magazine and IGGY, the “thinking teenager’s Facebook”.

    Continue reading »
  • May 28, 2013
    “Mystery” Photo Competition Winners
    By Emily Cleaver

    Impossible architecture, spooky stories and fabulous fairytales all feature in the winning photos in our “Mystery” themed photo competition.

    Continue reading »

LitroTV

  • 4 Minute Hangout With: Evie Wyld 4 Minute Hangout With: Evie Wyld LitroTV catches up with novelist Evie Wyld in her cozy hangout and bookshop, Review, in Peckham
  • 4 Minute Hangout With: Stuart Evers 4 Minute Hangout With: Stuart Evers LitroTV catches up with novelist, short story writer and journalist Stuart Evers in his local pub in Walthamstow to see what he's been up to and what plans he has up his sleeve.
  • 4 Minute Hangout With: Dean Atta 4 Minute Hangout With: Dean Atta LitroTV manages to grab some time with poet and spoken word artist Dean Atta on the Docklands Light Railway to discuss London inspiration, rap lexicon and using poetry as a way of building communities in classrooms.
  • LitroTV talks to Adam Kammerling at Hammer & Tongue LitroTV talks to Adam Kammerling at Hammer & Tongue LitroTV catches up with poet, rapper and general miscreant Adam Kammerling after his performance at Hammer & Tongue, Hackney.
  • LitroTV talks to Kate Tempest at Hammer & Tongue LitroTV talks to Kate Tempest at Hammer & Tongue LitroTV catches up with spoken word artist, playwright and general creative genius Kate Tempest at Hammer & Tongue Hackney.
     
This jQuery slider was created with the free EasyRotator for WordPress plugin from DWUser.com.

OK
 

Recent Comments

  • Kate Lewin on Theft or Flattery? When Musicians Borrow from PoetryNever knew the half of this!!! How interesting!
  • Kitty on Theft or Flattery? When Musicians Borrow from PoetrySo good to read this article, it made me feel starving about music and poetry !
  • Fouiger on Theft or Flattery? When Musicians Borrow from PoetryGreat learnings by going through this article. Really enjoyed it ! Please, keep going...
  • Marie Therese on Theft or Flattery? When Musicians Borrow from PoetryGreat article, very well written. Looking forward to reading more articles from this autor !
  • Benjamin on Theft or Flattery? When Musicians Borrow from PoetryAnd I'd only been wondering just the other day where I had heard the lyrics to Blackbird previously! Very interesting......

Contact Us

General & Membership Inquiries
+44 (0)20 3371 9971
info@litro.co.uk

Magazine Editorial
magazine@litro.co.uk

All Online Editorial
online@litro.co.uk

Book Reviews & Author Interviews
reviews@litro.co.uk

Film/Arts Editorial
arts@litro.co.uk

Litro Lab Podcast
litrolab@litro.co.uk

LitroTV
litrotv@litro.co.uk

Litro Listings
listings@litro.co.uk

  • Join Litro
  • Stockists
  • Submissions
  • Advertising
  • Our Team

About Litro

We find new ways of looking at the world through stories, seeking out the compelling and the controversial, the funny and the fantastic, the sad and the strange.

 

Although we also publish literary nonfiction and poetry, we have traditionally focused on short fiction, armed with a mission to discover new and emerging writers, giving them a platform to be read alongside stalwarts of the literary scene. More recently, we have also added more strings to our bow: including interviews, columns, podcasts, reviews, and features on literature, arts and culture. We've even ventured into LitroTV, so you can see and hear directly from your favourite writers.

 

Of course, any good conversation runs, by its nature, two ways (or many ways) and we hope that you will engage with our stories and tell some of your own. As long as you have a good story, we want to hear it.

 

All content © Litro Magazine or respective authors and publishers, and may not be used elsewhere without written permission.
See our reprint policy.  /  Website built & designed by Emily Ding.